Henrik
Ibsen
1828 1906
Ibsen is a world-famous playwright and generally acknowledged
as the founder of modern prose drama. He moved away from the Romantic
style, unmasking the romantic hero, and brought the problems and
ideas of the day onto his stage. He found himself unable to identify
with any existing forms of drama, so Henrik Ibsen set out to create
his own.
Along the way, Ibsen experienced multiple shifts in dramatic form
and philosophy as he gradually came to terms with the intellectual,
emotional, and spiritual forces that were at war within his complex
psyche. But throughout, his plays are characterized by their rebellious
spirit and their unforgiving scrutiny of Ibsen's own faults and
virtues. For half of a century he had devoted his life and his energies
to the art of drama, and he had won international acclaim as the
greatest and most influential dramatist of his time.
- Born in 1828 in Skien / Norwy
- Son of a rich business man, who went bankrupt when Henrik was
8 years old (this bitter experience became later subject of several
of his plays)
- Became a pharmacist and went to university in 1850, politically
active
- Wrote poems and his first drama: "Catilina"
- 1851 Director of the new theatre in Bergen, several performances
of his plays
- 1857 62 Director of "Norske Teatret" in Oslo
- 1558 Marriage with Susannah Thoresen
- 1864 91 Ibsen lived in Rom, Dresden, Munich
- Henrik Ibsen became famous for his "Thesis and Discussion
Theatre" during his extended stay abroad
- died 1906 in Oslo
QUOTES
"
But only what has been lived through can be seen
in that way and accepted in that way. And the secret of modern literature
lies precisely in this matter of experiences that are lived through.
All that I have written these last ten years, I have lived through
spiritually."
('Speech to the Norwegian Students, September 10, 1874, from Speeches
and New Letters, 1910)
"A woman cannot be herself in the society of the present
day, which is an exclusively masculine society, with laws framed
by men and with judicial system that judges feminine conduct from
a masculine point of view."
(from Ibsen's Workshop, 1912)
MOST FAMOUS PLAYS:
"Brand" (1866)
"Peer Gynt" (1867)
"A Dolls House" (1879)
"Ghosts" (1881)
"An Enemy of the People" (1882)
"The Lady from the Sea" (1888)
"Hedda Gabler" (1890)
John Gabriel Borkmann" (1896)
|